EJAGHAM ( EKOI) JANUS HEADDRESSES, Nigeria

 
 
EJAGHAM 41
27.5" high
$1200

 EJAGHAM 44
24.5" high
$800

EJAGHAM 46
25.5" high
$800

 

 EJAGHAM 43
26" high
$800
 

 EJAGHAM 51
26" high
$600
 

 EJAGHAM 50
18" high
$500

 EJAGHAM 48
26" high
$400

The headdress below has been sold and is left here for reference and educational purposes.

EJAGHAM 47
30" high
SOLD

EJAGHAM 49
31" high
SOLD

Photographs © Tim Hamill

EJAGHAM ( EKOI ), JANUS HEADDRESSES, Nigeria

These Ejagham Janus headdresses show no evidence of age or use and were probably made to be sold.

In the southeastern forest region of Nigeria, the Ejagham (Ekoi) people live in a politically decentralized group of small, scattered villages with with several clans united under the leadership of a priest/chief (Ntoon). A Ntoon is responsible for the ritual activities of the community while the political functions are performed by various societies of elders and age-grade associations of young men.

The important art forms of the Ejagham people are connected with the institution of the Ntoon and with the men's and women's associations. The best known of these art forms are the large, skin-covered headdresses (crest masks), which may have one, two or even three faces, and the smaller headpieces, which may represent a head or an entire figure. Crest masks are attached to basketry caps worn on the top of the head. Both types were made by an artist who carved the form from a single piece of wood and covered it with soft, untanned antelope skin that had been soaked in water for several days. He stretched and tacked the skin into place until it dried and stiffened. Eyes, scarifications, and hair were often carved separately and pegged into the finished piece. Before being worn, the headdress was painted or colored, then adorned with metal pieces, wooden pegs, real hair, porcupine quills, feathers, or feathered rods stuck into holes at the top.

The opposing sides of janiform masks (either crest masks or helmet masks) represent male and female faces. The male side was normally stained a dark color while portions of the female side were left the natural lighter color of the antelope skin.

Much of this material has been taken from a wonderful book: A History of Art in Africa published by Harry N. Abrams. The relevant chapter is Cross River by Robin Poyner.

GO TO EJAGHAM ART PAGE

GO TO SKIN EXHIBITION PAGE

GO TO EJAGHAM ( EKOI ) JANUS HEADS PAGE

GO TO EJAGHAM ( EKOI ) HEADDRESSES PAGE ( ALL SOLD )

GO TO EJAGHAM ( EKOI ) JANUS HEADDRESSES PAGE

GO TO EJAGHAM ( EKOI ) ANIMAL HEADDRESSES PAGE

GO TO MASKS AND HEADS PAGE


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