DOGON TOGUNA POSTS, Mali

DOGON
Toguna 16
48" high
$2500

DOGON
Toguna 7
50" high
$1000
 


The posts above have been vetted as authentic, with signs of use and age.


DOGON STYLE TOGUNA POSTS, Mali

Despite their appearance, the posts below were probably made to be sold.



 DOGON STYLE
Toguna 6
51" high
$900
  

The Toguna posts below have been donated or sold and are left here for educational and research purposes.



 DOGON
Toguna 1
45.5" high
Donated to
Colgate University Art Museum

DOGON
Toguna 5
51" high
Donated to
Fitchburg Art Museum

DOGON
Toguna 3
40.5" high
SOLD

Photographs © Tim Hamill

DOGON, TOGUNA POSTS, Mali

The toguna is the most important public edifice in a Dogon village, in which men's assemblies and council meetings are held. (togu = shelter, na = big, great or mother, therefore toguna = great shelter) Its position is chosen by the chief and the village is built around it. The toguna posts, therefore, are cultural artifacts of major importance and power, created by man, imbued with spirituality and aged by the earth.

In general, togunas are low constructions on three rows of supports (wooden uprights or stones) covered by beams that support a thick roof of millet stalks. The wooden posts, among the most impressive and monumental works of traditional Africa, are carved of kile wood (Prosopis africana), a very hard wood and durable. The tree, when reaching about 6 feet, splits in two and, when cut off at the base, creates a natural fork that supports the beams of the roof, which can average 22 tons.

With several feet of the post buried in the earth, the inside height of the toguna is only 4 - 5 feet, kept short to offer protection from the sun and heat and to encourage a calming effect on the men by keeping them seated and therefore less prone to posturing or fighting. Some of our posts have discoloration in the buried area, others have it rotted away to varying degrees, witness to their fused contact with the earth.

The toguna is intended to reproduce the shelter where the eight primordial ancestors met together, and in fact each of them is identified with one of the supporting pillars. The posts were prized by collectors and sometimes stolen, and some were defaced to keep that from happening. Muslim conversion of villages and closure of some of the togunas has facillitated the legal purchase and exportation of the posts.

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