The Kuba skirt panels below have been SOLD and are left here for reference and educational purposes.
There are unsold panels on KUBA SKIRT PANELS PAGE and KUBA SKIRT PANELS PAGE 2
Panel 138 27" x 21.5" SOLD |
Panel 160 28" x 23.5" SOLD |
Panel 75 26.5" x 23.5" SOLD |
Panel 140 28.5" x 23.5" SOLD
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Panel 146 29" x 25.5" SOLD |
Panel 130 26.5" x 21" SOLD |
Panel 133 34.5" x 25" SOLD |
Panel 134 26.5" x 24" SOLD |
Panel 152 28.5" x 24.5" SOLD |
Panel 153 32" x 30" SOLD |
Panel 155 28" x 22" SOLD |
Panel 71 28x22" SOLD |
|
Panel 103 23x30" SOLD |
Panel 129 25.5" x 23" SOLD |
Panel 127 26" x 27" SOLD |
Panel 126 25" x 23" SOLD |
Panel 18 28x25" SOLD |
Panel 142 27" x 22.5" SOLD |
Panel 125 30" x 26" SOLD |
Panel 122 25" x 23" SOLD |
Panel 94 25x23" SOLD |
Panel 95 32x28" SOLD |
Panel 98 21x27" SOLD |
Panel 100 23x27" SOLD |
Panel 80 28x23" SOLD |
Panel 119 25x25" SOLD |
Panel 90 22.5x20.5" SOLD |
Panel 90 22x20" SOLD |
Panel 93 33x25" SOLD |
Panel 96 22x20" SOLD |
Panel 99 21x25" SOLD |
Panel 107 22x23" SOLD |
Panel 110 23x25" SOLD |
Panel 111 19x20" SOLD |
Panel 114 22x24" SOLD |
Panel 104 21x21" SOLD |
Panel 105 21x24" SOLD |
Panel 108 23x30" SOLD |
Panel 112 22x26" SOLD |
Panel 113 20x24" SOLD |
KUBA Panel 118 25x25" SOLD |
Panel 120 19x20" SOLD |
Panel 65 24x23" SOLD |
Panel 10 29x24" SOLD |
Panel HG121 21x26" SOLD |
Panel 84 24x22" SOLD |
Panel 137 29" x 25.5" SOLD |
Panel 123 23.5" x 20.5" SOLD |
Panel 131 28" x 16" SOLD |
Panel 162 27.5" x 16" SOLD |
Panels 45-46 SOLD |
KUBA Panel 31 32x29" SOLD |
Panel 42 33x24" SOLD |
|
Panel 145 24" x 22" SOLD |
Panel 159 29.5" x 19.5" SOLD |
Panel 142 27" x 22.5" SOLD |
Panel 154 25.5" x 21.5" SOLD |
Panel 132 22" x 23" SOLD |
Panel 136 25.5" x 20" SOLD |
Panel 139 27.5" x 21" SOLD |
Panel 89 27 x 20" SOLD |
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Photographs © Tim Hamill
KUBA, NGEENDE DANCE DRESS PANELS 2, Zaire
Kuba skirts, Tcaka, long are cloths made from raffia, from 8 - 25 feet long, from the Ngeende, Bushoong and Ngongo peoples. They incorporate appliqued "patches", embroidered shapes and patterns, openwork, tie-dye, cowrie shells, barkcloth and border elements. The appliqued "patches" originally repaired holes, then developed into traditional design motifs. .All are covered with geometric symbols; many are restrained, subtle and rhythmic designs using one technique; others create amazing quilt-like assemblages of old pieces of many forms. The full skirts are worn bunched up and wrapped around many times. The exhibit also includes smaller, ornate pieces and individual panels from the large skirts.They were sewn together for ceremonial dress and covered royal stools. As a sign of status and to provide for the afterlife they were buried with kings or those fortunate enough to own many.
The long cloths were wrapped around many times and worn as a skirt or dress. These are single panels of such a dress wrap. We have many full-length skirts in our gallery, but it is difficult to photograph the full length.
CARE: The cloth is not fragile and can be pinned onto a wall or panel for display, or framed like a work on paper. To eliminate wrinkles, the cloth can be misted with water, and then gently ironed on the back.
RETURN TO AFRICAN TEXTILES PAGE
GO TO KUBA BARKCLOTH TEXTILES PAGE 3
GO TO KUBA BARKCLOTH TEXTILES PAGE 4
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