Shoowa 25 SOLD |
Shoowa 26 SOLD |
KUBA Shoowa 27 SOLD |
KUBA Shoowa 28 SOLD |
KUBA Shoowa 29 SOLD |
KUBA Shoowa 30 SOLD |
KUBA Shoowa 31 SOLD |
KUBA Shoowa 32 SOLD |
KUBA Shoowa 36 SOLD |
Shoowa 37 SOLD |
KUBA, Shoowa 38 SOLD |
KUBA, Shoowa 39 SOLD |
KUBA Shoowa 41 SOLD |
KUBA Shoowa 42 SOLD |
KUBA Shoowa 44 SOLD |
KUBA Shoowa 45 SOLD |
KUBA Shoowa 47 SOLD |
KUBA Shoowa 48 SOLD |
Shoowa 63 SOLD |
Shoowa 64 SOLD |
Shoowa 65 SOLD |
Shoowa 66 SOLD |
Shoowa 67 SOLD |
Shoowa 68 SOLD |
Shoowa 69 SOLD |
Shoowa 70 SOLD |
Shoowa 71 SOLD |
Shoowa 72 SOLD |
The true jewels of textile art are the small Shoowa cut-pile cloths. Their compex interplay of geometric symbols, inventive rhythm and balance, uniquely individual designs and tight "velvet"surfaces created objects so mysteriously alluring the Kuba people traded them as currency and were the standard by which a family's wealth and status were judged. These raffia cut-pile cloths, woven by men, were embroidered by women with no stitching visible on the back. Highly prized for their inventive patterns, they are further embellished with tight tufting, leading to the nickname "Kasai velvet". They were sewn together for ceremonial dress and covered royal stools. As a sign of status and to provide for the afterlife they were buried with kings or those fortunate enough to own many.
These cloths are not fragile. They can be pinned to a wall, framed, or even used as a fabric for clothing or upholstery. Folds or wrinkles can be removed with careful misting and ironing from the back.
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