MASKED, I ADVANCE
October 5 - November 30, 2013
Many of the masks in this exhibit have been vetted as authentic, meaning that they have seen tribal use, and many have not. Each has been clearly identified as to which category it belongs to. In case of doubt, our default assumption is that the mask was made to be sold.
We show and sell reproductions of traditional tribal forms because we feel that limited access to discretionary funds should not prevent those who delight in these sculptures from acquiring a version thereof, even one made for the market. (After all, very few of us who hung poster versions of Guernica in our university dorm rooms could have afforded --- at the time or even now --- a genuine Picasso.)
The more these wonderful forms can be seen, appreciated and shown to those as yet unfamiliar with the aesthetic power of traditional tribal art forms, the better ... and that means accessibility outside of museums and galleries.
We hope you agree.
Installation and links to individual pages below
Mask 1 |
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Masks |
Mask 4 |
Masks |
Mask 3 |
Masks |
Kore Mask |
Mask 27 |
The masks above have all been vetted as authentic, most with signs of significant use and age.
Despite their appearance, the masks below were probably made to be sold.
Elephant Masks |
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Ngaady Masks |
Helmet Masks |
Masks |
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Helmet Masks |
Masks & Headdresses |
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For additional masks both in and not in this exhibition:
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TRIBE |
OBJECT |
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TRIBE |
OBJECT |